Marks, Memories, and Meaning: The Stories That Shape My Art Part Two: Connection & Story

Last time, I shared two guideposts that helped reshape how I rest and create. Today, I’m picking up with the final two—both personal, both about how I stay connected to meaning (and people) through art.

Where the Story Starts

When I was juggling a demanding teaching job and new parenthood, I didn’t know how to stop. My days ran together—just one need after the next—until my therapist suggested a “20-minute rule.” Time that wasn’t a commute, didn’t include a kid soundtrack, and didn’t involve reps or sport tape.

At first, I just used the time to rest. But eventually, I picked up a pen. I started doodling. Zentangling. Letting my thoughts wander toward memories I wanted to hold onto.

It wasn’t about pleasing others or always making something pretty. It was about coming back to myself. Sometimes that meant drawing. Sometimes I’d flip through old sketchbooks or reread journal pages—raise your hand if you had that marble-cover one from the late ’90s!—and remember who I was.

Even those early attempts at figuring things out—messy pages, half-formed thoughts—started to tell their own tales.

Collage of personal artifacts: a marbled 1990s journal, a small sketchbook, a dried flower taped to a handwritten page, zentangle-style pen sketches, and a crayon drawing of tiny faces with the caption “yeah!”

You’re Part of the Story Too

When I left teaching, I didn’t realize how much I’d miss connection. No classroom buzz. No coworker banter. My life was still full at home, but that particular kind of daily togetherness was just… gone.

That’s why I started a monthly craft group—a real stitch and bitch. We knit, cut, glue, paint, and swear like sailors. We tell stories while we work.  We aren’t trying to be productive. We are just making things together, and laughing through the mess. It turns out, creativity sometimes needs company.

Alt text: Screenshot of a group text chain titled “Bitchcraft,” decorated with yarn, cat, and pizza emojis. A message reads, “Can I be added to the email list???? I have foam!” followed by the autocorrect correction “fomo” and several laughing reactions. Someone repeats “I have foam!” with more laughing emojis. The final message says, “Thank you!” with a smiley and facepalm emoji

 

Eventually, I started sharing online. It was scary, and intimidating, and felt ridiculous, but I just took a deep breath and did it.

Not because I had a plan—just because I couldn’t help saying, “Look what I made!” with the same simple, uncomplicated joy I used to feel showing something to my family as a kid. I was looking to be seen—as something other than just someone who wasn’t teaching, or someone who was sick, or—dare I say it—disabled. More than anything, I was looking to share joy again.

Summer Postcards (So Far)

This summer, I’ve been working on a little series of hand-painted postcards. So far:

🍓 Strawberries still on the vine

🦞 A lobster on a vintage plate

🌊 A purple sea star and yellow sea urchin from a tidepool.

Collage of three hand-painted postcards: ripe strawberries still on the vine, a red lobster on a vintage plate, and a purple sea star with a yellow sea urchin nestled in a tidepool. Each image is painted in gouache with soft textures and rich color.

These are just a few small moments—like the kind I used to teach second graders to write, only in pictures.

This series will wrap up soon, and I’ll be putting together a small, limited set of postcards from it. If you want first dibs, make sure you’re on my list.

P.S. Sometimes, when I’ve got a little extra energy (and stamps), I pop a few surprise postcards in the mail for folks on the list. No promises—but you never know what might show up.

Click here to join: https://tr.ee/YFIgD7mq8N

Got a Late-Summer Idea?

Tell me: what image captures the end of summer for you?

Cue Taylor Swift’s august—you know the one.  A porch storm? A striped towel that never dries? A drippy popsicle? A perfect peach?  Something weird and wonderful?

Reply and let me know. It might just end up in the next painting.

A Few Sketches from the Road

Collage of hand-drawn and painted travel sketches by Miranda Miller if Stella & Dorrie Studio. Includes: a tall pine on the coast at Short Sands Beach, Oregon; a blue pencil sketch of Haystack Rock at Cannon Beach, Oregon; a found sign in Powell’s Books reading “You still haven’t met all of the people who are going to love you”; a live sketch of a band with children dancing in front; watercolor of West Virginia/ Pennsylvania hills; bar interior; whimsical faces in ink; mushrooms and flowers in pencil and colored pencil; and a colored pencil drawing of roadside wildflowers.

These are pieces I made while traveling—quick drawings and paintings using a little watercolor kit or a few colored pencils. My brother’s band with my nephews as guest musicians at a house concert in Portland.  A blue pencil sketch of Haystack Rock at Cannon Beach. A view from Short Sands Beach. A patch of wildflowers off the highway. A sign at Powell’s Books that stopped me cold. Rolling green hills at the West Virginia–Pennsylvania border. Mushrooms and plants sketched on a quiet walk.  The last one is a family game of Faces we were drawing on the plane.

They’re not part of the gouache series. This is how I journal, see—what I notice, what I care about, and what I want to remember.

One More

Illustration of a young girl asleep in bed next to a glowing jar of fireflies. The girl has short brown hair and wears a pink shirt under a quilt with red and blue squares. The jar of fireflies sits on a wooden nightstand, casting a soft light that glows against a deep blue nighttime wall. Some fireflies hover in the air above the jar, and the scene feels warm, gentle, and dreamlike.

This was the hardest postcard to finish—maybe because it was the one I needed most. For anyone who could use a little more light right now, I hope it brings some.

The world’s been heavy lately. Some days it’s hard to hold the grief and injustice and get through the grocery list. I’m learning how to stay informed without shutting down. To act when I can. To rest when I need to.

Making these postcards each week has helped me stay grounded—just enough to keep going, and to keep noticing what’s still good.

And One More Postcard

After I finished painting the girl asleep with her jar of fireflies, I couldn’t stop thinking about my Grandma.

So I revisited my original idea and finisjed it: a jar tipped over in the grass, fireflies drifting out—just like my grandma promised that night. She let them go after I’d fallen asleep.

Before You Go

 

What’s something that helps you feel like yourself again?

Did anything here remind you of your own story?

Feel free to reply or just say hi. I’m always up for a good story.


— Miranda

@stelladorriestudio

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